This djembe drum originates from Cote d'Ivoire, its rhythm and cultural significance captured by master carver Ralph Agudze. The empowered resonance derived from the tweneboa wood body is believed to evoke peace in West African culture. Dried goatskin is affixed to the rim using iron rings wrapped in cotton cloth, while a finish of mansion polish enhances the wood's inherent allure. To play, sit on the edge of a chair with ankles crossed, the top of the drum fitting neatly between the knees as the base of the drum rests behind the heels. This way the drum is angled away from the body. Sitting up straight with hands resting on the drum's playing surface, wrists should become flat and this allows the position to create the standard djembe sounds. Djembes produce three basic sounds: bass, tone, and slap. BASS: With the hand flat and fingers together, place the hand at the dimension of two fists above the center of the playing surface. Allow the hand to strike and bounce back to the original position above the center. TONE: This is the high-pitched sound produced by striking the top surface nearest the edge with firmly placed fingers. SLAP: Strike the playing surface's edge first with the heel of the hand, and then allow the fingers to naturally bounce down towards the drum's center.
